Pink Halftone Classical Statue, Ghost-Toned on White Pulp

A classical bust — rendered in blush pink halftone at near-full lid height — occupies the lower panel in a tone so close to the white pulp ground that the figure emerges gradually rather than announcing itself. The dot structure is visible up close; at distance the form reads as a soft sculptural silhouette. Fine serif type and a script tagline sit above the statue in black, grounding the layout typographically without competing with the image below. The pink stripe repeat inside the tray ties the color system through the unboxing, framing the bottle in the same quiet tone as the lid figure.

Round-Corner Flip Lid on Stock Mold, Open Display Tray

This round-corner flip lid on a public stock mold opens to a wide shallow tray that holds the bottle upright and fully visible before any secondary handling — a retail-relevant detail that changes how the box reads at counter or gifting context. The compression-molded tray requires no foam insert or tissue padding. No tooling deposit, no mold development timeline — statue image, type layout, and brand copy are the only per-order variables. The rounded corner silhouette separates this format from standard rectangular pulp options at the same price tier.

Compostable Pulp, Tonal Pink Print Without Coating

Virgin wood pulp forms the complete structure — flip lid, base, hinge, and open tray — with no plastic lining, no synthetic coating, and no laminate on any surface. Water-based pink ink at reduced pigment load carries the halftone statue and stripe pattern, keeping every layer fully compostable after use. The ghost-tone effect depends specifically on uncoated pulp absorption — the same ink on coated board would read entirely differently. Biodegradable white perfume packaging with tonal statue print is a process result that only works on fiber — and that material specificity is part of what makes it a niche art positioning rather than a generic surface treatment.