A Round Cavity, Set Off-Center

Inside the square shell, the cavity is round rather than following the outer corners, and it sits pushed toward one edge rather than centered, leaving more wall thickness on three sides than the fourth. That round pocket matches a metal balm tin's cylindrical shape closely enough that the tin's brushed lid sits just below the box rim when closed, not proud of it. Lid and base are two separate square pieces, unhinged, so the top lifts straight away rather than swinging open.

Kraft Tone, Rounded Corners

Pulp color runs a natural tan straight through the fiber rather than bleached white or dyed, closer to raw kraft paper than a processed pulp tone, with visible fiber flecks under close light. A small mark sits embossed in one corner of the lid rather than centered, debossed into the surface at a scale small enough to read as texture from a distance rather than as bold branding. Corners round off gently on both lid and base, avoiding a sharp square edge that could crush in transit.

Room Beside the Tin

A printed ingredient label wraps around one side face of the base on some units, adhered flat against the pulp wall rather than wrapping the lid, so opening the box doesn't disturb the label placement. Because the round cavity is offset rather than centered, this square perfume packaging shape leaves room on the wider side for a folded card or extra padding alongside the tin without enlarging the outer box.