Flat Text Above, Raised Relief Below

The upper third of the panel stays flat and printed, product name and volume set in plain type against smooth pulp, while the lower two-thirds carries a raised sculptural scene, gold pigment settled into the recessed background so the relief figures read as white against a gilded backdrop rather than gold figures on white. That contrast, printed text above and dimensional relief below, comes from two finishing steps on one panel rather than a single uniform texture across the whole face.

One Mold, Five Relief Scenes

Because the outer box shape is a shared mold, the same rectangular shell with the same printed text zone appears across five different relief scenes, a crescent moon and stars, a winged horse, a shooting-star sky, and two bottle-and-floral compositions. Swapping which scene fills the lower panel of this molded pulp perfume shell changes only that insert plate, not the box dimensions or printed copy above it, covering a full set of visual variants from one tooling investment.

Shallow Enough to Stack for Shipping

Relief depth stays shallow enough that the panels stack flat for shipping without one box's raised details pressing into the next box's printed face. Gold application sits only in the recessed low points of each design, meaning a simpler scene like the moon and stars uses less pigment than the denser floral bottle compositions, without changing the base mold cost between them.